Legendary East Village gallery owner Gracie Mansion, whose real name is Joanne Mayhew Young, has a wonderful knack for gauging the current zeitgeist through art. The early 80s were characterised by a radical shift within the art world, which allowed subcultures to rise to the surface at an increasing rate. They could no longer be kept underground, and the polished facades of elegant society were about to crumble in the face of the gay movement, feminism, and the backlash that followed the radicalism of the 70s. One artist she discovered at that time was Stephen Lack, whose works she first exhibited in 1983. Stephen Lack’s large painting Mil (Mil Mascaras/The Wrestler), which is dated 1984, is one of the most eye-catching pieces in the East Village Revisited exhibition, which features the collection Anders Wall built at the time when this era peaked in New York, and he was working as chairman of the board for Volvo. Channelling the general mood of the times, this powerfully built man is depicted in a confident, defiant pose, which has been captured with large, rapid, yet precise brush strokes. 34 years later, CFHILL arranged an exclusive interview with the artist.